Sunday, March 16, 2014

Mystery of MH370 (screenplay pitch)


Escape on the Plane of the Apes
(the maybe true story of Malaysia Airlines Flight MH370)


Story/scene synopsis:

Kuala Lumpur, Malaysia, 0005 (12:05 a.m.) on March 8, 2014:

Scenes of happy families and bustling business people getting onboard the overnight flight to Beijing. The piloting crew are doing their pre-flight checklist as the stewardesses (and token male steward required by Hollywood PC Practice Board) are settling passengers into their seats. Two heavily bundled “special medical needs” passengers in wheelchairs are traveling in front row of first class with their own attendants who wave off any need for assistance (or interference) from the flight crew.

Cut to: Cargo loading into belly of the MH370 aircraft. Six large crates (with airholes) are being put onboard. Marking on the outside indicate delivery to the Beijing Zoo. The manifest is written in Chinese and English, but only says “Live specimens”. A workman attempts to peer through one of the airholes to see what is in the crate, but it is too dark, and he is quickly ordered to get back to work because they need to close up and get this flight out on schedule.

Kuala Lumpur, Malaysia, 0040 (12:40 a.m.) on March 8, 2014:

Cockpit as the flight takes off. Normal routine. Coach passenger area – typical chatter and settling in for a red-eye flight. First class passenger area – normal; “special” passengers are still tightly (and obscurely) bundled up and apparently asleep.

South China Sea, 0120 on March 8, 2014:

Mostly passengers are dozing or quietly reading, working on laptops, etc. The pilots make a routine check-in with air traffic, stating the time and the all system a-ok status.

South China Sea, 0122 on March 8, 2014:

Quiet passengers as before. Shot moves to the “special” passengers. Their attendants are alert, perhaps even nervously expectant. A hand emerges from under the wrapping of one of the special passengers – long fingers and red-furred coated. It is an orangutan (specifically a Borneo orangutan, but only the primatologists in the audience would know the difference).

Cut to: Cargo hold. A similar hand is working a latching mechanism inside one of the crates. The crate side falls and out steps a large male orangutan. In quick succession the other five crates open and three more males and two females emerge. They appear to confer in guttural sounds and hand motions. They move towards a door leading out of the cargo bay into a subfloor mechanical systems area and then up a ladder to a hatch into the passenger area above.

As the cargo orangutans emerge towards the back of the plane, the first-class orangutans jump out of their seats and run to the cockpit door. With their superhuman strength, they batter down and tear off the door. The four males from the cargo hold take up strategic and scattered positions amongst the passengers and scream threateningly. The two females run forward to first class, join the two working on the door (both large males), and turn to face the first class passengers. They are plenty frightening also.

As the cockpit is breached, the two “first class” males rush in. The co-pilot has risen out of his seat as if to investigate when the door comes off – he is knocked down hard by one of the intruders who continues on to grab the pilot. The navigator is knocked out of his seat by the other ape, collides with the wall, and slides to the deck unconscious. Having overcome/subdued the cockpit crew, the two apes turn as their human attendants enter the cockpit. One (let's say “she” (Natasha) for this one and “he” (Boris) for the other, but casting can decide later on the specific gender and ethnicity) points to two locations in the cockpit and says “There. And there”. The ape that knock down the navigator (let's call him Clyde), smashing a fist down where she pointed – destroying much of the navigator's other control circuitry. The other (throttling the pilot, let's call him Sam) flips the other switch off. She looks at Clyde with exasperation. Clyde sheepishly shrugs.

Boris moves into the co-pilot seat while Sam deposits the unconscious pilot back into his seat. He studies the controls, familiarizing himself with their reading and confirming his general understanding of the working of Boeing 777. After a while, Natasha displays some impatience and asks “well, can you fly it or not?” Boris is both annoyed and confident. Perhaps not really yet prepared, he grabs the controls and starts to bank the plane into a turn. There is a sudden drop in altitude. Boris over-corrects and the plane climbs rapidly. Natasha gives Boris the same look of exasperation she gave Clyde earlier as he struggles to get the plane under control. As the plane levels off and flies smoothly, Boris confidently says, “next stop, Sumatra”.

South China Sea, 0132 on March 8, 2014:

The first-class passengers have all been moved back to coach and the first class section now holds all the crew members. They sit with their hands bound with zip-ties, guarded by the two females (Mopsy and Flopsy). The pilot is still out, the navigator is moaning, and the co-pilot feigning more severe injuries, fearfully hoping to not draw any attention to himself. Natasha is in first-class. Her trenchcoat is open enough to show the Orangutans Worldwide Liberation Society (OWLS) emblem over her right breast. Boris has the same patch similarly located. The four cargo males are menacingly patrolling the coach section. The passengers are all properly cowed, but nobody is sleeping now. One not-easily-distracted businessman is still busily working on a presentation he needs to have ready for a morning meeting.

In the cockpit, Clyde sits at the navigator's station while Sam is in the pilot's chair. They are both largely out of the bundling clothes they wore to get onboard, but they do have on t-shirts with the OWLS logo. Sam is wearing the pilot's hat. Boris is still in the co-pilot's seat. Boris seems to have gotten the knack of flying this particular plane and is arguing with Sam (in both voice and pantomime-hand signals) about who is really the captain of this flight and not to be touching any of the instruments and controls. Clyde is playing with wires and components which are exposed and/or hang out of the keyboard at the navigator's workstation – he gets an occasional shock.

In first-class, the head stewardess confronts Natasha and asks why they are doing this. An exposition is given in the dialog between them about the unification of the orangutans of Borneo and Sumatra. The Borneo orangutans are on a mission to assist and organize the Sumatra group which is much closer to extinction. Natasha demonstrates the ability to communicate via hand signals and speech with Mopsy and Flopsy (something like “Bring me and Stewardess Jane martinis. Make mine very dry.”)

Kuala Lumpur, Malaysia, 0145 on March 8, 2014:

Air traffic controllers are discussing the absence of the routine check-in of flight MH370. Suggestions about relaying concerns to Vietnam and China air traffic are made, but it is not considered important enough to “wake up the old man”.

Peninsular Malaysia, 0215 March 8, 2014:

Natasha comes in the cockpit to check up on the progress on their plan. Boris, Sam, and Clyde all simultaneously give her a “thumbs up”. She asks how much farther they have to go. At this, Boris is a bit more vague and uncertain. The destruction of most of the navigation station is discussed. They seem to be able to ping the GPS satellites, but they are not receiving updates from the worldsat or ground control systems on their exact location. Boris assures Natasha he can get “close enough” by dead reckoning with the onboard system to find Sumatra and their destination. Natasha gives that exasperated expression again.

Kuala Lumpur, Malaysia, 0215 on March 8, 2014:

Another thirty minutes have passed without word from MH370. It is now 1 hour and 25 minutes into the flight, and they have had no contact for 55 minutes. Vietnam and China have reported that they have not heard or seen anything either. Air traffic controllers play rock-paper-scissors to see who puts in the call to “the old man” (the loser, of course).

Straits of Malacca, Indonesia, 0245 on March 8, 2014:

Boris is oscillating between looking out the cockpit windows (and seeing nothing) and reading the instruments on the panels in front of him. He decides to decrease elevation, but again over-steers and goes into a rapid and bumpy descent before he is able to guide the plane into a smoother flight. Sam looks at him quizzically and Clyde issues several loud protesting cries. Boris remarks to Clyde that he was not the one who broke the navigation system.

Once the plane's bouncing calms down, Natasha comes rushing into the cockpit, demanding to know what the problem is. Boris explains that he thinks he might have overflown Indonesia. He is not sure how, but he does not see what he was expecting (cannot really see anything). He suggests that if they descend and go north (or maybe even NNE) they should get back to see the western shoreline and then they can follow it to their destination. Natasha, exasperated, leaves the cockpit. She repeats the hand signal she used earlier to Mopsy to order a martini. Then she puts up two fingers to make it double.

Andaman Sea, off coast of Myanmar, 0315 on March 8, 2014:

Boris is arguing with Sam again. “How do you know what the jungles of Sumatra look like? No, I not sure either. I suppose it could be the mainland. Okay, okay, we will go west if you want to. Remember this one is on you when Natasha wants somebody's ass to chew.”

Indian Ocean, 0345 on March 8, 2014:

“Oh, go ahead. You fly it for a while if you want to. I am going to get drunk. How did I ever decide to go into world wildlife conservation in the first place?”

THE END (or is it? Wait for the sequel: Return of the Plane of the Apes)

No comments:

Post a Comment